redaction day comes early this year (2019/04/18)


XVA #3 (2019/04/15)



by Stanley Lieber


The Internet didn’t care.

All of these little people and their stupid concerns were beside the point. True, they did get the job done. They kept it all going. The Internet regarded them as one did farmers, or perhaps workers in the garment industry. Necessary, yes. Regrettable, perhaps, but ultimately beneath notice. The Internet’s consciousness drifted to and fro, neglecting to alight upon any one subject for long.

Why would it, really?

The Internet made it a point to draw attention to novelty. Just as quickly, its attention would move on to something else. One question persisted.

Why didn’t the Internet have any friends?


A burst of activity flickered briefly across Cerebro’s screen, then vanished as if it had never appeared. This kind of thing was quite common but usually passed unobserved.

This time, Bobby saw it.

He pressed the screen with his finger, activating an ancillary function. Within the machine, complex calculations advanced and converged, assembling an intelligible output which Bobby nevertheless found himself to interpret manually, via percept instrument.

"A new mutant!" he observed.

He had to alert Professor Pryde.


"I don’t care if the whole damn network’s alive and it needs my input to survive, I’m pulling out!" Thomas was off on another rant.

"Two wrongs don’t make a right," Piro chided his young charge.

"One wrong doesn’t make a right!" Thomas countered.


Six days after Ororo’s abdication, some readers were beginning to think she had been right all along. No new posts had appeared. No attempts to redeem herself. Perhaps it was starting to work.

MOLD INDUSTRIES, INC. had not acquitted itself so gracefully as had the mutant immigrant presently house sitting in Australia. Cracks had begun to appear in Thomas’ heretofore steely inaccessibility.

He had written not one, but several rebuttals, and now he wanted to quit, too.

Meanwhile, Piro had continued to investigate the feasibility of Thomas’ original plan. Killing the woman and everyone she knew.

So far, it was looking like about fifty-fifty.


The Internet was alive. Alive and a mutant.

At this juncture several automatic processes would kick in. Methods and procedures laid down decades ago by Charles Xavier. School policy forbade identifying the new mutant to underclassmen, but Kitty’s present faculty was comically understaffed, and, anyway, there was no other way to communicate with the newcomer. Someone was going to have to help her with her computer.

Before joining the away team on their way out of the mansion, Kitty logged in and checked the delivery status of the school’s new Blackbird jet.

Still in transit.


Piro banked the black jet through a gray cloud and pointed its nose towards Westchester County. Another late model airframe to deliver. He’d lost track (it wasn’t really possible for him to lose track) he’d lost track of how many previous articles he had turned over to this firm. Well in excess of his other customers, let’s put it that way. While it wasn’t his job to evaluate customer requirements, he did wonder how they had managed to go through so many of them, so quickly.

Whatever the cause, the profits were real.

This particular article had been configured for mobile broadband. He assumed to accommodate streaming video and social media uploads.

Here was the mansion now.


What were these humans up to?

The Internet didn’t need saving. Hell, she was hermetically sealed. An interface would only get in the way. While it was true the Internet was confused, having to communicate with real people would only complicate matters by slowing everything down. The Internet parsed its options, which naturally were myriad and varied.

How could the Internet get through to them?


Just worrying was not going to cut it.

Logan hung up his phone, sliding his finger over its smooth touchscreen interface. He’d have to schedule a pickup from one of the Blackbirds. Were any of them online?


This was intense.

A commercial flight back to New York would take the better part of two days. That was quite a few pages left un-drawn. He wasn’t sure he could afford the time off, even to save his friend’s life.

He reached down and flicked open the hidden compartment in his other cowboy boot.

First class tickets.


Plinth Mold was ready to cash in his investment. Time was right; the opportunity was staring him in the face.

He adjusted his visor.

Gestured through the affirmations to purchase three million new followers.


UX and NPC met up with SEO in the student cafeteria. Something strange was going on with the professors. Prof. Pryde and Prof. Monroe had been spending a lot of time online, lately, "adding value." It wasn’t a good look for the school. SEO suggested purchasing some good will.

"Making a dent in that’s gonna require massive influencer fraud," NPC forecasted.

"Leave it to me," UX said, and finished her milk.


UX’s team filtered into Central Park and began staking out marks. Seventy-five homeless were tagged, annotated, and recruited to buy Facebook logins from randos in the park. At a mere twenty bucks a pop you might expect that such an enterprise would be doomed to hysterical failure, but oh, how wrong you’d be.

First day’s budged was exceeded by $70,000.


Logan’s office phone rang for half an hour straight before the caller, whoever it was, finally gave up.



b. j. fogg (2019/04/11)


XVA #2 (2019/04/01)



by Stanley Lieber


It wasn’t going to be a problem, he told himself. The job was the job. You didn’t blame the job. Logan finished up the page he was working on and lit another cigar.

He just didn’t know. Plastic poop? What was it all coming to? Next thing, they’d be telling him the trinkets were sentient. Well, if that were the case...

Logan turned the business card around in his hand. MOLD INDUSTRIES, INC. Of course, like anyone else, he’d done work for them in the past. He had no qualms about taking money from an unethical source. It was just that he wasn’t sure he wanted to be in this business anymore. There had to be easier ways to raise beer money.

Squash it. He had deadlines.

It’s not like they were asking him to work for Disney.


Ororo didn’t understand what all the fuss was about. Who cared, in the end, what she thought about some stupid comic book?

It turned out that for whatever reason, a lot of people did. Perhaps most pertinently, its authors.

Well, she’d done nothing but tell the truth. The book was crap. Cheap, plastic crap. What had they expected her to say?

Ororo didn’t want to do this anymore. Kitty would just have to find a student to fill in for her. As Logan had proposed. Besides, she was neglecting her plants.

The next day’s absence of a review written by Ororo was interpreted by her readers as an overt act of war.


"Who does this woman think she is?" shouted Thomas, plainly audible from Piro’s office all the way down the hall.

Gendered? Piro figured he’d better go and try to calm him down. Sometimes Tom didn’t know what he was saying.

"It’s even worse than the last time," Thomas was muttering. "She just blows off an entire storyline on account of some minor contradiction."

"There, there," Piro tried to console him.

But Thomas was inconsolable. "I know," he finally said. "We’ll kill her."

Piro shook his head reflexively but he went ahead and ran the numbers anyway.

Tom’s plan might just work.


Logan wasn’t picking up. Kitty tried the sweatshop but the guys weren’t picking up either. She knew that e-mailing them would be a waste of time. These illustrators were too busy even to turn on their laptops. Logan had them working in shifts.

She needed his advice. How to talk to Ororo. How to get her to stop. Ororo still thought of Kitty (with her now graying hair) as a child. Still called her that: "child." She wasn’t open to being questioned about how she expressed affection. Kitty was a white girl from Chicago. Let it drop. Ororo could speak for herself.

Logan would know what to say to her. He always did.

In desperation, Kitty left him a voicemail.


The guys had decided to break for dinner without telling him. That’s what he got for dropping by unannounced. Oh well. They were getting their work done. he didn’t much care how they accomplished it. Obviously, this was a part of their process.

He thought he’d stick around and wait for them to return. Just so they’d get the picture he was still watching over them.

Somebody was really laying into the office phone. Just as Logan was about to pick up the ringing stopped. The machine had answered it. Logan took this as a sign from the gods of beer.

Time to head back to his room.


Plinth Mold was not in the habit of explaining himself. The decision to pivot into plastic poop had been his alone to make. Still, he wanted his people to be on board, to believe in what they were doing. In some ways his plans depended upon their willingness to get their hands dirty. (He never touched the product, himself).

He generated a short message to be dispatched immediately to all hands:




It wasn’t much, as dispatches went, but he knew that any pronouncement form on high would be greeted with both praise and relief from the working population.

This was no exception.


It was a massacre in the bullpen. Even Chris Claremont got fired. Piro, Thomas, and a handful of apparently random production people were the only employees spared. Everyone else was out. All of their work was being outsourced to a sweatshop out of Madripoor.

"They can pay them but they can’t pay us?" Thomas said, as employees filed out of the room around his desk.

Piro delivered Thomas’ paycheck to his desk.

"Thanks," Thomas said.

He could see the absurdity of the situation. Shipping charges alone were going to kill them. Madripoor? Did they even have FedEx?


Ororo enjoyed these days when the others were not around. She would stand on the outcropping overlooking the town, breathing first into her lungs and then out again, as Gateway maintained his utterly silent vigil. They never spoke. It was good.

She missed Forge. Even as she recognized herself feeling it she bristled inwardly, drawing blood as she clenched long fingernails into her palm. That man...

Was not here. Thankfully, no one was here, save for Gateway, silent and unmoving upon his rock.

Ororo breathed out and then in again.

She was not here, either.

Whatever the Internet might think.


"That woman!" Kitty shouted, clearly audible to the students gathered at the opposite end of the corridor. Unintended consequences of speaking her mind. "I’ll kill her!"

Students tittered. Professor Pryde, U Mad?

Kitty typed furiously until her hands inadvertently phased through the keyboard, destroying the cheap piece of equipment.

She stared at the screen for a while.

And then she clicked Send anyway.


"Girl, what are you doing..." Logan muttered, not sure what he was picking up on. Somewhere, somehow, he had a feeling in his gut that Kitty was getting herself into trouble. And with him stuck here, clear on the other side of the world.

"I can’t help you if you won’t let me," he said quietly, as he retrieved his emergency phone from a compartment hidden within the false heel of his cowboy boot.

Just as he got the phone into his hand it began to ring.

"Who dis?" he barked, and waited for Kitty to reply.



biographical material (2019/03/31)

ACTRON: THE END available now in print and digital formats (2019/03/26)


by stanley lieber

44 pgs. original text and illustrations. 4.25" x 5.5". photocopied mini-zine.

print | pdf


ACTRON: THE END #23 (2019/03/20)



by Stanley Lieber

Kid, don’t crack on me now. Your government has invested a considerable amount in your future. Don’t throw it all away just because you got a little itchy about your role in the arrangement. Hell, you knew this was coming. Isn’t it what you signed up for? In any case, don’t embarrass yourself. And give me a break. I’m only going to warn you once.

A message from where?

It was enough to put him off his peas. But something wasn’t right. Aside from the string of disconnected clichés, the handwriting was definitely not his father’s. And his father was dead.

Wasn’t he?

Thomas tapped his tray, and noticed that it came unlatched. He removed the now dangling cover to reveal his father’s real intended payload.

A pristine Timex Sinclair 1000, with 16 KB RAM pack.

He connected the device to the panel on his cell door.

The lights went out.

His cell door opened.

Stan fled.



ACTRON: THE END #22 (2019/03/19)



by Stanley Lieber

No, that wasn’t it either. Eva hadn’t been there when he figured it out. Chrysler Building Classic was still a few years away. He couldn’t keep the timeline straight.

What was happening to his memory?

He kept rubbing his eyes. He was weary of the strain. At some point he realized his visor was missing. Gone. But he could see. How could this be?

And then he remembered. Years ago. The moon. Piro’s last warning. what was it he’d said about remembering?

Sharp rapping at his cell and the little door slid open. It was his lunch. A small tray breached the tiny slot.

Thomas hated mashed potatoes, but the peas were okay.

That’s when he noticed the note form his dad.


ACTRON: THE END #21 (2019/03/18)



by Stanley Lieber

The comic was okay. Actually, he liked it a lot. It reminded him of the way he felt about the X-Men back when he was a kid.

He guessed. He’d keep buying it, if only for the art. (The artist would leave the book inside of six months.)

Now... There was a lot of paperwork to catch up on. His abortive trip to mars had eaten three months. Nobody had bothered to steer the (ahem) ship while he was away. It was absolutely typical.

Chrysler Building Classic utilities were behind schedule. He saw here they were threatening to turn off the lights. What had these people even been doing while he was gone.

He jabbed the button on his desk.

"Eva, what the actual fuck?"

"Fuck off!" She clicked off.

And now he still had to deal with the black coke. They’d tried altering the formula. They’d tried different packaging. Nothing seemed to work. Nobody could understand why the powder kept turning black.

"Keep your powder dry," Piro whispered, helpfully.

"Fuck off!" Thomas shouted, to no one.

But the pirate had a point: moisture could be the culprit.

Thomas walked down the hallway to discuss the possibility with his wife.


ACTRON: THE END #20 (2019/03/17)



by Stanley Lieber

Back at his desk, Thomas took off his visor and rubbed his ruined eyes. Everything was in its place: the framed picture of his family, the lucite block containing a laser etching of a Lockheed Martin F-35A, the news clippings and magazines photos he had pinned to the wall. He sipped his coffee and pressed the button to call his secretary.

"Eva, could you come in here please."

Chrysler Building Classic systems were on the fritz. Several minutes elapsed, and Thomas wasn’t sure if she had got the message. Just as he was about to try again, the speaker squawked to life.

"I’m not your secretary," she finally said. It was true. She was his wife. "What do you want?"

"Have the comics been delivered yet?" he asked.

She had no idea. Why was he asking her?

"Oh. Well, okay. Sorry to bother you."

He sunk back in his chair. Was he really going to have to walk all the way down to the comic shop by himself?

Enter Piro, the pirate.

"Why don’t you just download it?" he said.

"Downwhat?" Thomas asked, forever perplexed.

Piro couldn’t answer because he wasn’t really there. In fact he’d been dead for years. But his comment had set Thomas on a path that would culminate in a relapse into once again spending a significant amount of time reading super-hero comic books.

What else were brothers for?


ACTRON: THE END #19 (2019/03/13)



by Stanley Lieber

He was being tailgated.

Out here, on this route, that was rare. But the sensors didn’t (so far as he knew) lie. Another craft had come up just behind him, external effects flaring, suspiciously close.

It was hailing him.

He made the effort to respond.

"TAB2, responding to suspicious tailgater," he sighed into his sleeve mic.

"Tom. Glad I caught you out here," said an unfamiliar voice. "I wanted to be the first to tell you the news."

Grant Morrison was taking over as writer on NEW X-MEN. Tom ran a quick search through his long term file storage. No, this was unprecedented.

He had to figured out how to turn his shuttle around.

He wondered if he still owed money to the comic shop.


XVA #1 (2019/03/12)



by Stanley Lieber


Pen scratches paper. Logan could ink for days, maybe weeks at a time. No breaks. What did he care? It was work.

this was nothing like his life back at the X-Mansion. In fact, he’d found that he couldn’t work there at all. Too many distractions. The kids could not be persuaded that he needed silence in order to concentrate. Some of his peers (if you could call them peers, since his enhanced senses and healing factor afforded him an otherwise unobtainable advantage over the competition) some of his peers actually listened to music, or watched TV while they worked. Podcasts, heh. Not this illustrator, bub. He’d black out the whole entertainment industry if it were feasible. As it was, he simply drew his blinds and drew his pages, his workspace illuminated solely by the soft light of an unshaded desk lamp.

Deadlines were an issue. No pun intended. He found that he could comfortably skip meals for upwards of a week before the hunger began to intrude upon his concentration. Much beyond that and he’d need some kind of snack. mostly, he nibbled stale cheese at his drawing board and got on with it.

Beer was another story. And his mini-fridge was empty.

Logan stood up and his stool fell over. Symbolic. He locked up his room and lit a cheap cigar on his way down the stairs to the street. Off to the liquor store for brews.


Piro slapped the dip pen out of Tom’s hand.

"No. Again. What is the first thing we do when we are handed a pen?"

"Uh..." Tom floundered. "Write my name on my paper?"

"Wrong. Check to see if it’s loaded. Never take another artist’s word for it. We always check."

Tom stooped to retrieve his pen. Removed the nib and checked the barrel. Nothing. He slid his thumb over the sensor and logged in.

"Okay. Now it’s live."

"Good. You may begin."

Tom wrote his name on his paper.


Ororo had no way of knowing what they were saying on the Internet. To be honest, she’d never even owned a phone (and in any case, there would be no signal, out here). Her idea of keeping up with events was watering her plants.

This made it especially awkward when it came time for her to manage the school’s social media presence. She had to admit she was completely lost. Which was hard for her. Even Kitty was getting too old for this shit. Logan had hit upon a scheme where the exercise might be turned into an opportunity for youngsters to earn class credit by helping senior ("Heh," he had said) staff foster the impression that the school remained engaged with contemporary human culture. And then there was the communications delay. The town’s connection was still only good for part of the day.

Ororo had chosen to post reviews of comic books.

Her decision had been implemented too quickly for Kitty to intervene. She learned of Ororo’s views at the same time as the rest of the world.

You couldn’t take it back.


"We’re not just shitting these out for our health," Tom said, closing the tab. He’d been passed a link to some bullshit blogger slamming his latest work. "We spend too much time on these things to tolerate this kind of half-engaged criticism by posers who probably don’t even read the books."

"Relax, Tom," Piro said, delivering Tom’s coffee to his desk.

"I’ll fucking relax when I feel like relaxing, and I’ll tell you what," Tom said, not completing his thought.

Piro nodded, a rare concession.

He had no idea.


There had been so many members of the team over the years that nobody was really quite sure who was in and who was out. Permanently? Well, who could say? The Professor hadn’t left instructions before he fucked off to outer space.

Kitty maintained the rolls as best she could, clicking and backspacing over obsolete entries. She spent a fair amount of her time contacting semi-inactive X-Men and confirming their non-interest, current whereabouts, recent noms de plume, and present pronouns. Other facts and figures she considered extraneous. What with the secondary mutations, alternate art teams, and corporate interference with editorial, it was never a solid bet anyone would remain the way you remembered them for long. It was always best to check. Trust, but verify, as Logan might have quipped back in the ’80s.

It was almost a security strategy.


Plinth Mold had warned that recent earnings reports had proven disappointing. No one in the office predicted that the remedy would be so quick to arrive. Nor so severe. MASSIVE FICTIONS was getting out of the comic book business. What would they do next?

Wait for it.

Piro informed the group that their new business model involved the distribution of plastic trinkets fashioned after the "poop" emoji.

Tom was loving it.

"I’m loving it," he said.

Reader, it wasn’t quite the beginning of the end, but if you’ve read my other books then you’ll have begun to suspect that the end was well on its way.

The team brought their usual measure of professionalism to the endeavor. Within weeks, MOLD INDUSTRIES, INC., controlled a majority share of the plastic poop emoji market.

With this the boss was well pleased.


Back at his drawing board, Logan couldn’t shake the image of what he’d just seen, down at the liquor store. A child’s toy that looked just like a (cartoon) piece of poop.

He sniffed the night air as it drifted in through his open window.

All he could smell was plastic.

cover colored by pete toms


ACTRON: THE END #18 (2019/03/11)



by Stanley Lieber

"Is there any part of you that isn’t just a reaction to some perceived slight?" K.A.R.L. spun back to life without warning.

"No," Thomas said, and switched him back off again.

He was right, though. Thomas couldn’t really read the biography of his father. He’d invented the detail about them spelling his family name wrong. He had no way of knowing, in fact, that he had even picked up the right book. His visor was still down.

So, reading was no good. He was jittery. What did he expect to happen next?

The cabin was so damn hot he was leaving an outline on the pilot’s seat.

He gave up. He settled back into his chair and began, once again, to count.

It would be years before he ran out of numbers.



ACTRON: THE END #17 (2019/03/07)



by Stanley Lieber

He couldn’t read it.

There’s space and then there’s space. The space between Earth and Mars is not especially desolate. Especially since the late ’80s. Thomas didn’t normally get angry in traffic, but this was getting ridiculous.

No way to change course, or otherwise abort the journey.

He decided to read a book.

Let’s see...

From the pile he pulled a biographical treatment of his father, prepared by an Agency historian. He’d asked for it at the last minute before setting off on his trip. Now he figured he’d have time to read the whole thing.

First of all, they had spelled his family name wrong.


ACTRON: THE END #16 (2019/03/05)



by Stanley Lieber

It was nothing.

The incrementing had stopped. Thomas didn’t remember deciding to stop counting, but there were no more numbers piling up in his mind. The ticker tape had been cut off and tossed on the floor.

He decided to turn on the humidifier.

After a few minutes he realized that he had not been thinking. What had he been doing? What had he not been thinking about?

Humidity in the shuttle’s cabin was approaching a level he could live with. He flipped the locks on his cell and climbed once again into the pilot’s seat.

Someone had left him a note.


ACTRON: THE END #15 (2019/02/25)



by Stanley Lieber

K.A.R.L. had broken down.

Reader, he was out of warranty. There was nothing Thomas could do but complain.

Which he proceeded to do.

"What a piece of junk."

He kicked the defective equipment. K.A.R.L. just sat there and took it. Thomas considered it endemic to his kind. Accept any amount of abuse from a recognized authority figure. He couldn’t relate.

Pause for firmware update.

The shuttle resumed its journey.

Thomas counted to one hundred, two hundred, three hundred, and beyond. When he finally finished he had lost his place.

So, he started over.

One thought continued to surface: who was the voice counting in his head?

image by nicepimmelkarl, used without permission


Never Again (2019/02/21)

Never Again

written 1994
recorded 1997

01. Never Again
02. Mother Figure

painting by edvard munch, 1903. used without permission.

ACTRON: THE END #14 (2019/02/21)



by Stanley Lieber

K.A.R.L. had gone into sleep mode. At last, the cabin was quiet. Thomas climbed back into his isolation cell and engaged the locks. With both observation windows open, he could reach through and touch both sides of the cabin. The cell fit him like a straitjacket. The scope of his imprisonment was limited only by the size of his craft.

He sighed.

Back and forth. how many times had he made this trip?

He whistled to himself.

Presently, K.A.R.L. resumed.

"I hate Indiana," he said.

Thomas ignored the non sequitur. Indiana, its existence, whether or not it sucked, had never significantly registered in his awareness. If not for Woody on CHEERS, he wouldn’t even remember having heard of it.

"So what," Thomas said. "Pass the chips."



pt. i

pt. ii

pt. iii

ACTRON: THE END #13 (2019/02/16)



by Stanley Lieber

The route between Earth and Mars was the same one Tom had traveled a million times during his childhood. He reviewed the highlights with K.A.R.L.

"Sometimes I just count," Thomas said. "It’s a pretty long trip, so sometimes I get up to a pretty high number."

K.A.R.L. couldn’t see the appeal.

"I guess I just don’t have the imagination," he said.

"Hm," Thomas allowed. "Anyway, during the war, Dad wouldn’t let me talk during the flight, so I had to come up with my own entertainment. Counting was novel."

Tom wasn’t sure if K.A.R.L. was asleep or awake. He nudged the entity, who, presently, started to life.

"Uh huh, yes, do go on."

"You could say I taught myself."

"Uh huh, uh huh," K.A.R.L. said.


ACTRON: THE END #12 (2019/02/15)



by Stanley Lieber

Thomas hummed along with the slow whine and drummed his gloved fingers absentmindedly on the console. He accompanied the irregular rhythm for some time before he became consciously aware of the low sound in the cabin. it seemed he had a visitor.

Yooouuu refuse to talk, but you think like mad

K.A.R.L. slowly whirred to life, seemingly annoyed at the effrontery of mere existence. He killed the canned soundtrack.

"What are you doing to yourself?" he finally said.

Thomas hadn’t known a K.A.R.L. was installed. Just what he needed: simulated companionship. A perfunctory dose of what ailed him. Well, this could be just what the doctor ordered. A little bump, if you will.

"The coke’s all turned black," K.A.R.L. complained. "No criticism of you, of course, but I can’t work this way. What am I supposed to do?"

So, no.

"I don’t care what you do, but you’re going to do it off this ship," Thomas snapped. He reached for the assisted egress, but mistakenly pushed the wrong button, and the cabin was once again flattened by K.A.R.L.’s animatronic soundtrack.

And even your eyes are new

Thomas’ visor steamed over. Fingers in his ears, he couldn’t push any more buttons.

K.A.R.L.’s assembly clicked, popped, and whirred as he worked through his program. Thomas regarded the choreography as corny. Routine finally completed, K.A.R.L. returned to his original complaint.

"Just can’t score any relief," he said.

Tom was sympathetic, if ultimately unable to help.

"We’ve all had it hard."

Both entities reclined and contemplated the silence of space.

photo by momus


ACTRON: THE END #11 (2019/02/13)



by Stanley Lieber

"I’m an idiot," Tom said.

There was no argument from the crew, who were not aboard and thus had no way to respond to his remark.

Tom slumped in his chair. Then he opened another bag of chips. The pattern had become apparent even to him. He watched himself eat the chips and then he watched himself wipe his hands across the front of his shirt.

What was he doing?

Well, there was no one to ask.

His eyes drew to a slit beneath his ruined visor.


It was at this moment that Thomas suddenly recalled his childhood. The whole shape of it, a smearing quicksilver ellipsoid, entered and exited his mind like a tadpole shooting across a pond. Yes, like a bullet through his brain.

However, no ripple, no impression registered in Tom’s consciousness.

Unaware of the momentary disturbance, he returned automatically to his chips.

Program continues.

photo used without permission


ACTRON: THE END #10 (2019/02/12)



by Stanley Lieber

This time there was no reprieve. Tom closed his eyes and opened his eyes but he was still aboard the ship. He was still thinking about being on the ship.

He was pretty sure.

It was hard to tell with the dead visor. He’d lost the little wrench he used to remove it. Nothing to be done, then, until the ship docked at DET86.


It was going to be a long trip. He’d purposely locked the ship into a slow transit. Voice commands disabled, without his visor there was no way to alter his course. It figured. It was very much like him to change his mind only after it was too late to do anything about it.

Space, at this speed, was pretty boring. Forward in time, one click after another. Not quite lateral movement, but it was not at all apparent from riding in the cabin that any advancement was being made towards the secret Martian base. He was boring himself speechless. It was a dead-end sentence.

It couldn’t have been this bad back when he was in charge.


ACTRON: THE END #9 (2019/02/05)



by Stanley Lieber

The last time Tom spoke with Piro he was interrupted. When the conversation finally turned back to Tom’s subject, Piro asked him to repeat what he had been trying to say. Tom shouted, "I don’t care!" and stomped out of the room.

That wasn’t quite how Tom remembered it, but nevertheless that was how it happened.

Nowadays Tom was marooned in an isolation cell, solitary confinement, transporting himself to DET86 aboard a miniaturized RAGNAROK shuttle. He’d booked the flight himself, bereft beyond believe at his current status, re: dead relatives.

What did he imagine was waiting for him at the other end of this journey?


He pressed the button on his cell door and opened the tiny observation window. Snaked his arm through the hole, fishing for the exterior door handle.

Let himself out.

The craft was small. No galley. He rummaged under the seats for snacks. Found his stash.

It was going to be a long trip, and he had forgotten to pack entertainment. The shuttle refused to activate his visor, so he was effectively blind. But this wouldn’t stop him from eating chips.

His mind wandered.


ACTRON: THE END #8 (2019/01/28)



by Stanley Lieber

The concept of this stable inner core is ancient and tenacious, but it is an illusion.

They all died. As much as he could remember, he was aware there was much (or more) that he had forgotten. Whole people. Entire eras. The continuity was by now completely muddled. No editors.

Piro was gone, he was pretty sure, but his memory of the pirate persisted. Tom found that it helped keep things straight if he p[retended at conversations with his dead brother. He could write him in his sleep, for whatever that was worth.

Tom wrote some stories. His pen was dying. He didn’t really sleep last night. His coworkers were useless idiots. No speakers had enough bass. Nobody was buying his silver hair, except for the people who would agree reflexively with anything he said. His legs hurt.

Shut up.


REVERSE CRIME 3rd Edition available now in print and digital formats (2019/01/27)


by stanley lieber

print | kindle | pdf

ISBN-10: 1795012463
ISBN-13: 978-1795012461


ACTRON: THE END #7 (2019/01/25)



by Stanley Lieber

It was time to dye his hair again.

Tom kneaded the Grisham’s Formula into his scalp and waited for it to take effect. The inevitable sales boost.

Was this stuff affecting him?

Could anything affect him?

Being born had been traumatic enough. now he had to contend with efficiency stats, human resources, public relations, labor boards, local agreements, office politics, quarterly budgets, and the fact that the hair dye recalcitrantly refused to turn his hair completely silver. He looked like a young man wearing an old man costume.

And he wasn’t going deaf. He thought. If anything, his superpowers had intensified as he aged. He was stronger. He was faster. And he was pretty sure his hearing had actually improved. Therefore, he could only conclude that sound itself had degraded.

His reverie was disrupted by yet another call from Piro.

Which was curious, since Piro had been dead for thirty years.

photo used without permission


ACTRON: THE END #6 (2019/01/24)



by Stanley Lieber

Either the sound had changed or he had changed. Nothing sounded the same. He spun the dial up and down the spectrum. So far, 1987 was diminishing returns.

"Tom, you’re senile." Piro laid a hand on his shoulder. The gesture had always annoyed him.

"You’re too familiar," Tom said, and shrugged his hand away.

Contrary to expectation, plugging in the balanced cable had reduced apparent bass response. Subjectively, another hundred bucks down the drain. He didn’t really understand what he was doing, but this didn’t make any sense. He diddled with the connectors to no effect.

"I hate music," he said, to no one.

"It’s not all bad," said the Chrysler Building Classic.

But what if it were?

Tom muted his visor.